A new framework for examining the relationship between individual and cultural trauma, literary texts and common law.
- Performs transformative interdisciplinary readings of a range of literary and legal texts across a 200-year period
- Uncovers the connections between the individual and collective memories of law and crime that affected the development of the law itself
- Draws on three case studies – adultery, child criminality and rape testimony – to demonstrate the impact of cultural narrative on legal development in the 18th and 19th centuries
Erin Sheley shows how the symbolic relationship between adultery and threatened English sovereignty created a quasi-criminal legal discourse surrounding the private wrong of adultery; how the literary ‘construction’ of childhood by 19th-century fairy tale writers affected the development of the juvenile justice system; and how evolving rules about rape victim 'character evidence' functioned as epistemological components of volatile national identity.
Readings include:
- Charles Brockden Brown's 'Wieland and Ormond'
- Thomas Hardy's 'Tess of the d'Urbervilles'
- Charles Kingsley's 'The Water-Babies'
- George MacDonald's 'The Lost Princess'
- Alfred, Lord Tennyson's 'Idylls of the King'
- Charlotte Brontë's 'Jane Eyre'
- Henry Fielding's 'The Modern Husband'
- Sir Walter Scott's 'Heart of Midlothian'
- Samuel Richardson's 'Clarissa'
