Immigration Others

Visual Power, Representation and Migration Law: Framing Migrants

By Dorota Gozdecka
Edinburgh University Press December 2025

Specifications

ISBN-13
9781474459990
Publisher
Edinburgh University Press
Publication
December 2025
Format
Paperback
Jurisdiction
U.K. ? Countri(es) for reference only

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Details

Interrogates how the images of migrants and refugees effect the legitimacy of legal changes in the area of migration law

  • Analyses the relationship between typical depictions of migrants and affective response of the viewers to these images
  • Examines 5 selected archetypal migrant figures: the ‘genuine’ and ‘bogus’ asylum seeker, the mass, the invisible illegal, the other and the innocent
  • Examines the relationship between legal interpretation, decision making and policy making
  • Compares perspectives from Australia, Europe and the USA
  • Includes 10 illustrations used by sources such as the Australian Government, electoral campaigns and major news sources

This book analyses the dominant imagery related to migration and illustrates how framing of migrants as subjects viewed through the lens of the host gaze positions them for exclusion and marginalisation. It focuses on comparative sources derived from public and media visual campaigns focusing on migration issues. It illustrates how the ethical gap that the host-centric way of looking creates results in the growing suspicion of the migrant and how this ethical gap broadens and impacts on the legal exclusion of migrants as legal subjects.

Table of Contents

Acknowledgments

Introduction

Part I: LAW AND THE ETHICS OF LOOKING
Chapter 1: The migrant in our gaze
Chapter 2: Looking, feeling, and judging the law

PART II: FIGURES OF THE MIGRANT
Chapter 3: The figures of a ‘genuine’ refugee and a ‘bogus’ asylum seeker.
Chapter 4: The spectre of the invisible illegal.
Chapter 5: The figure of the absolute other
Chapter 6: The migrant as an inhuman mass
Chapter 7

PART III: THE COMPLICITY OF THE PICTURE
Chapter 8: The challenge of navigating the ethics of law in the pictorial era
Conclusions

Bibliography
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